anna brones

writer + artist + producer

Posts Tagged ‘Art

Wangari Maathai

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“We cannot tire or give up. We owe it to the present and future generations of all species to rise up and walk!”

-Wangari Maathai

Born in rural Kenya, Wangari Maathai was the first woman in East and Central African to earn a doctorate degree, which she was granted from the University of Nairobi in 1971. In the late 1970s and early 1980s, she served on the National Council of Women of Kenya. It was here that she came up with the idea of planting trees, a concept that she grew into a large scale, grassroots organization, the Green Belt Movement, focused on conserving the environment and improving the lives of women. Planting trees meant planting hope, a form or protest and renewal, fighting oppression with growth.

Environmentalist. Activist. Human rights advocate. Writer. Her work was inspired by her roots, but reached a global audience, and in 2004 she was awarded the Nobel Peace Prize. 

I was recently reading Terry Tempest Williams’ book When Women Were Birds, and learned that the two had met in the early 1980s, and Wangari had become mentor of Terry’s. Terry herself had been inspired to start the Green Belt Movement of Utah.

Terry writes, “When I once asked her what she had learned from planting trees, she said, ‘Patience.'”

That sentiment stuck with me. Patience. It’s the same sentiment that’s in Wangari’s quote above.

The patience to speak up.

The patience to listen.

The patience to rise up.

The patience to continue.

I wonder what wisdom Wangari would give to us today. I think it would still be the same. We must continue to rise up and walk. We must be patient and persistent.

This papercut is a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

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Share What You Make

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A few months ago I was visiting my friend Amy on Cape Cod. While there, we went to a cafe for lunch. It was a cozy place, the kind you could sit and read for awhile, and they had an assortment of magazines – the bright, beautiful indie ones with gorgeous photos, you know the kind. I happened to have a copy of Comestible (the food journal that I publish) with me, and I stashed it in the pile, my own small act of guerrilla marketing.

Thanks to Instagram, I found out that a few weeks ago, someone happened upon it while visiting the same cafe. The person was so moved by it that she wrote about it on her blog. The entry was titled “Hope.”

Here is an excerpt:

“While I waited for my breakfast, I paged through a short stack of literary journals with titles I didn’t recognize. Some were rich in bold, brash photography, but one in particular — a collection of essays and poetry called Comestible — stood alone. Stark in detail and void of ads, each page is an unvarnished offering from writer to reader. 

The candor and vulnerability present in every piece reminded me that sometimes life on Earth is beautiful and sometimes it’s sufferable; expecting it to be different is the real mistake. Also, though our creations will be flawed, we should share them anyway. Doing so is a reminder to self and other that we are alike more than we differ. To create is to live, and to share what we make is to offer hope and healing from the inside out.”

I was so touched by her words, and it was the reminder that I needed that whatever we put into the world inevitably has an impact.

Creating, whatever our medium is – words, painting, dance, food – can often feel like a personal act, something that we do because it sustains us. I know that I write and make art because I just feel that I need to, it’s how I process the world around me. It’s what keeps me balanced and sane.

But when we share what we create, we have the opportunity to impact someone else. That might be someone that we know, or it might be a total stranger. Those moments of exchange can be small and individual, or larger, but regardless of their size, they are all meaningful.

What if as part of our creative practice, we included a sharing practice? Not to show off our work, not in the hopes of getting acclaim, but simply to bring joy to someone else.

We all have the power to inspire each other, to encourage each other, to help each other heal. In a time where it feels like we need more of that, why not take time for the little acts which do just that?

Written by Anna Brones

June 29, 2018 at 09:51

Marion Nestle

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“Food choices are about your future and that of your children.

They are about nothing less than democracy in action.”

-Marion Nestle

Marion Nestle is one of the leading thinkers and activists when it comes to nutrition and food politics. In fact it’s hard to do any reading or research about food politics without coming across her name.

She is the author of several books, including Food Politics: How the Food Industry Influences Nutrition and Health and the most recent Soda Politics: Taking on Big Soda (and Winning).In October, she will release her latest book: Unsavory Truth: How Food Companies Skew the Science of What We EatShe is Paulette Goddard Professor, of Nutrition, Food Studies, and Public Health, Emerita, at New York University, which she chaired from 1988-2003 and from which she retired in the end of 2017.

There was a point in my life when I debated on applying to NYU’s Master’s Program in Food Studies (a program she pioneered), just so that I could have the opportunity to have Marion as a teacher. And while I never got around to that, she has kindly answered various interview questions of mine over the course of many years as I have written about food and nutrition myself.

The quote that I decided to use for her portrait is from her book What to EatThe book was originally published in 2006. That feels like an eternity ago when it comes to food politics. After all, it feels like a lot has changed in our conversation about food over the last decade. There are many more options at the grocery store, and the conversation about health has begun to shift to not only our personal self, but that of the environment and the workers who put food on our table.

And yet despite some of the progress that we have made, we still face many of the same problems, and some have gotten worse. Over the last decade, obesity rates have jumped. In 2007-2008, the CDC reported that 33.8% of American adults were obese. For the period of 2015-2016, that number grew to 39.8%. Food insecurity has grown a small amount as well; today 12.3% of American households are food insecure, compared to 10.9% in 2006. Some of us may have easier access to things like farmers markets, and yet, independent farmers are struggling; in the U.S. the suicide rate is double that of veterans. Systemic racism and economic inequities continue to plague the food system.

In researching this piece, I came across an interview with Marion on Civil Eats, taking a look back at her three decades of work and what has changed and what hasn’t. It’s a reminder that even when it comes to our conversation about food, the basics are still the same.

I went into nutrition in 1976. And everybody was saying, I remember quite vividly, “We want you to teach this nutrition class because there’s so much public interest in it.”

Three books had just come out. Frances Moore Lappé’s Diet for a Small Planet, which is still in print, was cataclysmic in its impact. I mean, think about what she talked about in 1975: Eat less meat, and it’ll be good for health and the environment. You know, we’re still right there. 

So what’s keeping this from truly moving forward? The combination of a food and agribusiness industry that’s about high profits and high margins that don’t consider things like human and environmental health, and the political policies that are at the base of that system. Real change requires industry, infrastructural and political change.

That feels overwhelming. But what we as citizens do have control of on a daily basis is what we put into our bodies, and I keep coming back to Marion’s quote from What to Eat. Not everyone has the luxury of making choices about food, but for those of us who do, they are a way to take daily action. What we eat matters, to both ourselves and our communities.

Marion continues to be a resource yet she always provides a fresh voice. She updates her Food Politics blog regularly, and as someone who cares strongly about food and the food system, for me, she is a constant source of inspiration and wisdom.

She kindly answered a few Women’s Wisdom Project Q&A questions.

Anna: What does wisdom mean to you?

Marion: Wisdom to me means knowing enough about people and history to make thoughtful decisions about daily life.

Is there an influential woman in your life who passed along a piece of wisdom to you? Who and what?

A dean in my high school assured me that I would have a much better time as an adult.

We have been eating food for all of human history, and yet today, it seems like these days we need specialists to inform us what we should and shouldn’t eat. Do you think that we have lost our common sense in regards to what we eat? If so, why?

The food industry spends fortunes to convince us that our common sense is wrong.  It’s hard to resist that kind of propaganda.

When it comes to food and food production, as we have modernized, what wisdom do you think that we have lost?

If we are to eat well in the future, we must grow food sustainably, replenish soil, preserve water quality, and do everything we can to reduce greenhouse gas emissions.

What do you see as the future of food?

No matter how many of us there are, we will still need to eat.  We must plan for that.

What wisdom would you share with your younger self?

Courage!

This papercut is a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

June 27, 2018 at 07:05

Annie Londonberry

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“I am a journalist and ‘a new woman’ if that term means that I believe I can do anything that any man can do.” – Annie Londonberry

I learned of Annie Londonberry several years ago in Peter Zheutlin’s book Around the World on Two Wheels: Annie Londonberry’s Extraordinary Ride.

Born in 1870 in Latvia, Annie “Londonderry” Cohen Kopchovsky was the first woman to cycle around the world. Despite never having ridden a bicycle before, in 1894 she set off on an adventurous journey, promising to circle the globe in 15 months (with the help of a few trains and boats too).

She pedaled off with a change of clothes and a revolver, and in exchange for $100, promised to place a placard for the Londonberry Lithia Water Company on her bicycle. Today, sponsorship might be the norm for many grand adventures, but at the time, it certainly challenged the era’s gender norms.

The 1890s were a time when the bicycle was intricately linked to feminism, and as Annie set out she became a symbol of the movement. Annie was a savvy storyteller and promoter, telling tales wherever she went, some true and some not-so-true. Eventually, she completed her journey, calling it “the most extraordinary journey ever undertaken by a woman.”

After her return, she wrote a column for New York World, with the byline “The New Woman.”

What was a “new woman” in the late 1800s might be seen as a modern woman today, and yet, we still struggle with some of the obstacles Annie faced over 100 years ago. Annie left three children behind to take off on her journey; today female athletes and adventurers are often questioned about their mothering skills, and can experience severe gender bias. Women suffer from a pay gap, both in sponsorship and professional sports salaries. In some countries it’s still considered improper for a woman to ride a bicycle.

Annie is reminder that society doesn’t get to dictate who we are or what we do. We can set our own goals and our own definitions of success. We can be who we want to be.

This papercut is a part of the Women’s Wisdom Project, a yearlong project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

 

Written by Anna Brones

April 17, 2018 at 12:11

New Prints Available in the Shop

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I’ve got some new prints of artwork available in my shop, including this letterpress print of my original papercut “Witch Fika.” Because every coven needs to take coffee breaks. Each print is signed.

Every one of my original pieces are handcut from a single piece of paper. Here is the original “Witch Fika” piece:

There are also 8×10 prints of two other papercuts, “You Are Enough” and “One Kind Word.”

Click here to check out the shop and order. Thank you for supporting my artwork!

Written by Anna Brones

March 26, 2018 at 12:16

In the Footsteps of Creative Women

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I’ve always been drawn to the Southwest. Perhaps it’s because there are so many stark contrasts to my native Pacific Northwest. Lush, wet greens replaced by dusty pinks, light and dryness instead of wet grays. The reasons that I love the landscapes of the Pacific Northwest are also what drive me to seek out places elsewhere, not because I am trying to replace them, but because I am so inspired by the differences to be found elsewhere.

The colors of the sky, intense and dusty all at the same time. The smell of sage brought out by the heat of the sun. That feeling of the desert resonates with me, even though I’ve never lived there, and perhaps never will.

I am not the only one to have drawn inspiration from that landscape.

“I found out that the sunshine in New Mexico could do almost anything with one: make one well if one felt ill, or change a dark mood and lighten it. It entered into one’s deepest places and melted the thick, slow densities. It made one feel good. That is, alive.”

That’s a quote from Mabel Dodge Luhan, a woman with a colorful history who in the early 1900s made her way to Taos, New Mexico. She fell in love with Antonio Luhan, a Taos Pueblo Indian, and eventually they bought a plot of land and built a house on it. It started as a four-room adobe, but expanded to seventeen rooms, the Luhans wanting to create a space that was inviting to those with a creative spirit.

Read the rest of this entry »

Written by Anna Brones

February 19, 2018 at 07:32

Dolores Huerta

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“Every moment is an organizing opportunity,

every person a potential activist,

every minute a chance to change the world.”

– Dolores Huerta

What do we do with the precious time in our lives? Do we consume instead of creating? Are we passive instead of active? Do we succumb to the darkness or do we stand up to it? I think that this quote, from Dolores Huerta, the labor leader and activist who co-founded the National Farmworkers Association, is a reminder of the opportunities that can be found in even the smallest moments.

Born on April 10, 1930, Huerta is still active today, and is the founder and president of the Dolores Huerta Foundation. Last year at the Mountainfilm festival in Telluride, Colorado, I not only had the chance to see the amazing documentary “Dolores,” which is all about her life, but also hear Huerta speak in person. Her energy was inspiring, and it was a reminder that every moment in our lives is an opportunity to take action, and we can continue to do so for as long as we live.

It’s easy to think of “activists” as people who are very visible or take bold actions. But as human beings, global citizens and community members, I believe that we all have a chance to be an activist in our everyday lives, choosing to stand up for what we believe in, no matter what the scale or what our platform is.

Every minute is a chance to change the world. What will you stand for?

This papercut is a part of the Women’s Wisdom Project, a yearlong project focused on showcasing the wisdom of inspiring, insightful women. If you want to support this work, consider doing so on Kickstarter

Written by Anna Brones

February 3, 2018 at 12:46