anna brones

writer + artist + producer

Posts Tagged ‘papercut

Send a Little Love in the Mail

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I made a few sets of holiday cards, all featuring my papercut illustrations.

Who doesn’t love receiving snail mail? Make sure someone you know gets a little love in the post this holiday season.

Some ideas:

-Write a note to a friend.

-Give a card as a gift.

-Send a thank you note to someone.

-Write a recipe on the inside and send it to someone you wish you could eat a meal with.

-Pencil in your favorite quote or poem and send to someone who could use the words.

-Draw a picture inside, or add a touch of color on the outside.

There are three cards in each set so you can even keep one for yourself and frame it on the wall.

You can buy a set (or two) in my shop.

 

Written by Anna Brones

December 2, 2019 at 07:02

Maria Mitchell

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“When we are chafed and fretted by small cares, a look at the stars will show us the littleness of our own interests.”

Maria Mitchell (1818 – 1889)

America’s first female professional astronomer, Maria Mitchell was consumed by the night sky. Growing up in a Quaker family, her parents believed in equal education for boys and girls. Her father helped to inspire her love of navigation and astronomy, and at the age of 12, she helped him calculate the position of their home thanks to watching a solar eclipse.

Just a couple of months after her 29th birthday, Mitchell discovered a comet, earning her a gold medal from King Frederick VI of Denmark as well as becoming the first woman to be named to the American Academy of Arts and Sciences. Curious about the world, she traveled in the U.S. and Europe and eventually became a professor at Vassar Collage. Education was a tool not to be squandered. To her students, she declared, “I cannot expect to make astronomers, but I do expect that you will invigorate your minds by the effort at healthy modes of thinking… when we are chafed and fretted by small cares, a look at the stars will show us the littleness of our own interests.”

Mitchell advocated for women’s rights, involved in the suffrage movement, and brought that advocacy work into her classroom as well. According to the National Women’s History Museum, “she defied social conventions by having her female students come out at night for class work and celestial observations, and she brought noted feminists to her observatory to speak on political issues, among them Julia Ward Howe. Mitchell’s research and that of her students was frequently published in academic journals that traditionally only featured men. Three of her female protégés were later included in the first list of Academic Men of Science in 1906.”

For Mitchell, the night sky and the education about it had much to offer, beyond just the field of astronomy. As she once stated, “we especially need imagination in science. It is not all mathematics, nor all logic, but it is somewhat beauty and poetry.”

So tonight, go outside, look up. Find the beauty and poetry written across the sky.

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

September 6, 2019 at 09:52

Gloria Anzaldúa

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“…a woman who writes has power. And a woman with power is feared.”

Gloria Anzaldúa (1942 -2004)

This quote is from Gloria Anzaldúa’s essay “Speaking in Tongues: A Letter to 3rd World Women Writers,” a call to action to women of color to bring writing into their lives, to share their voices and their stories, to engage in a form of literary activism. The essay was originally published in the anthology This Bridge Called My Back, that Anzaldúa co-edited with Cherrie Moraga.

As Alexandra Barraza writes in Fem, UCLA’s feminist magazine, “The novelty of this work was its direct confrontation of the intersectional oppression faced by queer womxn of color, and the prevalence of such oppression within feminist and Chicano activist movements of the time. This book was the first of Anzaldúa’s many works, culminating in a life of critical theory analyzing race, feminism and queer and Xicanx experiences.”

Anzaldúa begins the essay:

…the dangers we face as women writers of color are not the same as those of white women though we have many in common. We don’t have as much to lose – we never had any privileges. I wanted to call the dangers “obstacles” but that would be a kind of lying. We can’t transcend the dangers, can’t rise above them. We must go through them and hope we won’t have to repeat the performance.

Growing up in the border state of Texas, living a multitude of identities, Anzaldúa advocated for “a consciousness of the Borderlands,” as she wrote in her seminal book Borderlands/La Frontera. Anzaldúa understood that words, and writing, carried power.

Writing is dangerous because we are afraid of what the writing reveals: the fears, the angers, the strengths of a woman under a triple or quadruple oppression. Yet in that very act lies our survival because a woman who writes has power. And a woman with power is feared.

She understood the link between language and identity, arguing strongly against linguistic terrorism. “So, if you really want to hurt me, talk badly about my language. I am my language,” she wrote in the essay “How to Tame a Wild Tongue.”

Language, and in turn the words that shape them, are a source of power, and Anzaldúa’s challenge to her fellow women of color around the globe was this:

Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues of fire. Don’t let the pen banish you from yourself. Don’t let the ink coagulate in your pens. Don’t let the censor snuff out the spark, nor the gags muffle your voice. Put your shit on the paper. We are not reconciled to the oppressors who whet their howl.

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

August 16, 2019 at 08:48

Papercutting Class in Tacoma, WA on August 25, 2019

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Ever wanted to try cutting a sheet of paper into a piece of artwork? On August 25, 2019 I will be teaching a papercutting class in Tacoma, Washington at the super cool art gallery and store Minka. We’ll be taking inspiration from the natural settings of the Pacific Northwest that find their way into a lot of my work.

There’s more information here and if you are interested in taking part, please email minka@minkatacoma.com. Space is limited so get in touch soon!

Written by Anna Brones

August 12, 2019 at 21:02

New Cups for Coffee Outside: Powers Provisions Collaboration

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I am so excited about the recent collaboration that I did with Powers Provisions for custom Miir coffee cups. These are ideal for coffee/tea/hot chocolate/hot toddies/anything else that you want to drink and keep warm (or even cool).

I wanted the custom papercut that I made for this piece to capture the essence of time spent outside. For me, that’s usually in my Pacific Northwest stomping grounds, and fortunately the landscapes that inspire me—islands, sea, evergreens—are very at home in Alaska, where Powers Provisions is based.

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Written by Anna Brones

July 17, 2019 at 10:20

Phyllis Johnson

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“Walking down a pathway of doing something you have no earthly idea of what it will bring–that’s called faith.”

-Phyllis Johnson

Phyllis Johnson is a powerhouse in the coffee industry. The founder of BD Imports, she sits on the board of the National Coffee Association and for two years served as the Vice President of the International Women’s Coffee Alliance.

Johnson works tirelessly to advocate for women in coffee as well as on diversity issues, which is essential in an industry that is predominantly white and male. Coffee comes with a complex, and often dark history, and the industry that keeps us caffeinated daily is still fraught with those complexities. Johnson believes in facing them head on. As she wrote in an article about diversity and representation in the coffee industry, “when we continue to ignore and normalize the effects of racism and inequality within the industry, we cannot expect positive outcomes.”

Through her work, Phyllis ensures that the people producing coffee are respected, paid and honored for their work and that women and minority communities have a seat at the table. A couple of years ago, I interviewed Johnson about race and coffee, which ended up being one of my favorite interviews that I have ever conducted, mostly because the conversation challenged my own thinking. So of course I wanted to include her in the Women’s Wisdom Project.

Johnson and I discussed her work by phone, and the interview has been edited for clarity.

Who is Phyllis Johnson?

I’m someone who cares deeply about a lot of things, I’m someone who is extremely optimistic. I’ve been blessed to be around people who were always encouraging, from the time I was a young child. So even now, there’s always that shadow of someone, either physically or no longer there, that kind of sits over me and says “you can do this, keep going.” I think that I’m very optimistic and one of the things that I always try to do is to be optimistic to other people. As I have gotten older, I can see the optimism in things but I can also see the other side of the things. I’m trying to understand even the simplest thing as a whole instead of coming to a quick decision on how you believe, or what you think about something.

When I think about who I am and I think about my, my past and my present, I’ve always tried to align myself with individuals who are not thought of as being the ones to have the answers. For most of my life, there are places that I walk in where I think people look at me as a positive figure. So I’m often trying see the other side of it and see what it’s like to not be heard. There are situations where I am totally not heard at all, don’t get me wrong. I know those moments in those times in my life when I have an invisible being, so I’m always thinking about that invisible being because it is who I am as well.

When we’re fighting the fight and we have our issues, we can lose sight of the humanity in each other. That’s something that I’ve always hoped to hold onto; even though we might disagree, there’s some message that you have for me and I have for you.

What does the word wisdom mean to you?

When I was younger I would think of wisdom being housed in older people who have struggled, the struggle is on their face, they learned from their experiences, that’s what wisdom kind of meant. After starting a company in my mid 30s, I remember a biblical verse that came to me when I felt that I was trying to do something that I had no idea what I was doing: “wisdom belongs to God.” For me, growing up with a Christian background, that gave me equal footing. It was like, “wow, wisdom doesn’t have to be held inside of me, it’s something that I can ask for and I can look for and gain insight from and it’s not relegated to certain people or race or gender, it’s out there. Then I have a chance at it.” As a younger person that verse resonated with me and even when I’m talking to a younger person who’s trying to find a way that’s something I always say to them because, you know, we always think that someone else knows how to do something better, or that they have the answer. I think that’s part of being a human being; we think that there’s a super human out there, someone who is smarter, brighter. But the ability to gain what they have isn’t impossible for you. There’s an equal opportunity at gaining wisdom and insight through different mechanisms, either experiences, or in conversations with people who share their experiences. It’s available, and it’s available at all ages.

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Written by Anna Brones

July 15, 2019 at 08:01

Frida Kahlo

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“At the end of the day, we can endure much more than we think we can.”

-Frida Kahlo (1907-1954)

This papercut is a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

July 6, 2019 at 14:55