anna brones

writer + artist + producer

Posts Tagged ‘papercut

Kamala Harris

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“My mother had a saying: ‘you may be the first to do many things, but make sure you’re not the last.'”

-Kamala Harris

I have returned to this quote so many times since making this papercut of Kamala Harris. That’s for two reasons.

First, I love asking fellow women about an important piece of wisdom they have learned in their lives. Most often, it’s something passed along to them by someone close: a mother, a grandmother, an aunt, a sister, a close friend. So when I saw that Harris had shared this sentiment from her own mother, it really resonated.

We have a tendency to gravitate to the words of writers, artists and thinkers that we don’t know. There’s something about a knowledgeable person sharing a tidbit of information that feels meaningful, valuable. There is also power in the ability to condense complex emotions and concepts into words. It’s why books can resonate so much, why a good speech can bring us to tears.

But as it turns out, some of our most cherished wisdom comes from our closest connections. No matter who we are, we have so much to offer each other.

The second reason that I feel moved by this quote is what’s in Harris and her mother’s words. They remind us that our actions help to set a stage for the future.

I actually made this papercut before Harris announced her presidential campaign, but I believe that her running, as well as other female candidates like Elizabeth Warren and Kirsten Gillibrand, does help to set that stage. Whatever we do, when we take action, we have to ensure that those actions are contributing to building a platform that supports others.

After all, we are only as powerful as the groundwork that we build for future change.

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

February 22, 2019 at 07:36

Charlotte Brontë

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“Cheerfulness, it would appear, is a matter which depends fully as much on the state of things within, as on the state of things without and around us.”

-Charlotte Brontë (1816-1855)

This quote is from Charlotte Brontë’s novel Shirley, her second novel published after Jane Eyre, originally published under Brontë’s male pseudonym, Currer Bell.

Brontë, as well as her sisters, are often seen as feminist icons, revolutionaries who questioned the social norms of their time. “…in 1847, Brontë was a gateway to the future (as the fact that we are reading her today so neatly proves). She lived in a sophisticated and complicated world, one whose codes and unwritten rules, whose morality and intellectual structure, would baffle even the most learned among us,” writes Sam Jordison in the Guardian.

Constance Grady, in an article for Vox, puts it this way: “What animates the Brontë sisters’ work is a specifically feminine anger in response to their patriarchal society, a feeling of being hunted and trapped and confined and degraded that is peculiar to women of great intelligence and few opportunities and resources.”

It’s an interesting thing to take quotes out of context, which is basically what we do every time we write down a quote, share a quote, illustrate a quote, say a quote out loud. By identifying just a few sentences, we focus deeply on the meaning of the chosen words, not necessarily the entirety of where they came from. We take the words and give them our own meaning. I think about this every time I work upon a Women’s Wisdom Project piece, conscious of my own role in perpetuating this obsession with simplifying complex ideas, thoughts and identities into just a few sentences.

I think I happened upon this quote of Brontë’s at the library when I had briefly picked up one of those books about positive thinking and cultivating a more balanced life to flip through briefly. The book did not speak to me but the quote did, and I noted it down for later, perhaps because the reminder of the necessity to cultivate inner contentment is always needed.

But of course, I have no knowledge of what the line would have meant to a reader in Brontë’s time, or even what her intention was in writing it. After all, Shirley is a social chronicle, focused on life in industrial England. This was not the day and age of Marie Kondo, mindfulness or minimalism, it was a time of survival.

And yet, I believe that these words of Brontë’s hold true for a variety of contexts. If we define ourselves simply by the situation around us, we might never question that situation, or work to change it. An external situation may fuel our rage, but it is how we deal with that situation that matters.

In that sense, for me the wisdom in Brontë’s words is this: to come to terms with our inner selves is not only our source of cheerfulness, it is our source of power.

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

February 15, 2019 at 10:02

Eileen Gray

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“To create, one must first question everything.”

-Eileen Gray (1878-1976)

I didn’t know of designer and architect Eileen Gray until I saw a retrospective of her work at Centre Pompidou in Paris a few years ago, and I fell in love with her pieces and was inspired by her story.

Born in Ireland, Gray moved to Paris in 1902. There, she studied lacquerwork, designed furniture (her designs are still produced today) and became a major figure of the French Art Deco movement. “She dared to do things that no one did at that time,” Cloé Pitiot, curator of of the exhibition told the Wall Street Journal

It’s interesting to look at her work with that perspective, understanding that her furniture and designs were revolutionary at the time that she made them. And while such designs feel very modern today, think of how bold it was to create them in her day.

In 1929 when she was 51, Gray completed her first architectural work, the E.1027 house. The house is now considered a masterwork of modernist architecture, her furniture designs within it carrying equal importance.

The organisation of the house as a whole is then based on her studies of wind and sun, and on its position on a steep slope descending to the sea. The building is mostly white outside, its interior modulated with planes of slight pink or eau-de-nil, or a nocturnal blue or black. These colours are maritime, but subtly so, such as you might see in deep water, inside a seashell or after sunset. There is an acute awareness of surfaces, both inside and out, and their degrees of shine or roughness. On the back wall of the main living space, playfulness being part of her armoury, she placed a large nautical chart. This, she said, “evokes distant voyages and gives rise to reverie”. The Guardian

Of course, I was horrified when I learned how renowned architect Le Corbusier had defaced the interior of the house with erotic murals, stark contradictions to Gray’s subtle style. The reason for such destruction? Le Corbusier was reportedly shocked that such a beautiful building could have been designed by a woman, saying, “I admit the mural is not to enhance the wall, but on the contrary, a means to violently destroy [it].”

…one of his destructive paintings is applied directly to the hallway screen in E.1027. By his symbolic removal of Gray’s obstructions he rendered her complex house transparent, and with the erotic scenes he painted, he supplied the imagined objects of his desire.

Le Corbusier’s fascination did not stop here: he also built a little shack, his ‘cabanon’, perched like a voyeur’s eyrie above the villa. He spent the rest of his summers here, swimming every day below the cliffs, and that is where he died in 1965, overlooked by the house that had so obsessed him. Architectural Review

Le Corbusier of course remains in the architectural vernacular, known to even those outside his domain.

But Gray, like so many other women artists, slid into the shadows. Self-taught and working in a male dominated field didn’t make it easy within her profession; she existed in a domain where success meant being a chest-beating male. Gray herself admitted to the drawbacks of her own quiet nature: “I was not a pusher and maybe that’s the reason I did not get to the place I should have had.”

Fortunately, with the restoration of E.1027, and a renewed interest in her story, her work and spirit will not be lost. As Cathy Giangrande, development lead for Cap Moderne, the nonprofit association behind the restored E.1027, told Dezeen, “Certainly she deserves to be celebrated as one of the great pioneers of her time…”

To follow Gray’s line of thinking, to create we must question everything. We must question our own perceptions, our own assumptions. We must question the world as we know it, the status quo.

And when we question, we become empowered to challenge. After all, isn’t that what creating is all about?

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

January 11, 2019 at 05:00

Surprise Art

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I love making things. I also love giving art to people, and I believe that our world is better with more art in it.

I wanted to offer something for the upcoming holiday season, but I didn’t have the capacity to invest money in items like prints or calendars. Instead, I want to offer small pieces of original artwork for people to keep or give away.

But here’s the catch: you don’t know what you’re getting. This is surprise art!

Between now and December 5th I will be making a series of small papercuts. Each one will be matted and wrapped. Place an order and you receive one of these pieces, which I will be sending out in two installments. Because I wrap them immediately after making them, I don’t know who is getting what. Consider it “grab bag art,” like when you were a kid and bought one of those paper bags at the toy store and had no idea what would be inside.

Each piece is mounted in a 5×7″ black mat and ready for framing. You can buy it for yourself, or for a friend, and feel free to order as many as you want. Because it’s a surprise, they are priced a little lower than my original pieces, the intent being to provide affordable artwork to bring a little joy to you and anyone you want to gift it to.

You can order here.

Written by Anna Brones

October 16, 2018 at 08:39

‘Extra Helping’ – a Cookbook for Caring Through Food (Preorder)

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Last year I was very honored to be asked to create papercut illustrations for a cookbook. That cookbook is out next month and I can’t wait for it to be born into the world. Extra Helping: Recipes for Caring, Connecting, and Building Community One Dish at a Time by Janet Reich Elsbach is a beautiful collection of recipes and essays, all based around the idea that food is caring.

Read the rest of this entry »

Written by Anna Brones

October 15, 2018 at 11:53

Gertrude Ederle

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“I just knew if it could be done, it had to be done, and I did it.”

Gertrude Ederle (1905 – 2003)

“I just knew if it could be done, it had to be done, and I did it,” Ederle told the New York Times in an article published after her incredible feat: becoming the first woman to swim across the English Channel.

Born in New York City in 1906 to German immigrants, Ederle spent time in the water from a young age and was a champion swimmer by the time she was a teenager. She won a gold medal and two bronze medals at the 1924 Olympics in Paris, France.

After Paris, she set her sights on long distance swimming, training for the Channel. Closer to home, in June 1925, Ederle became the first woman to swim the length of New York Bay, covering 16 miles from the New York Battery to Sandy Hook, New Jersey. She made an unsuccessful attempt at the English Channel that same summer, but returned the following year

Only five men had successfully made the 22.5 mile crossing, the fastest in 16 hours 23 minutes. Ederle vowed to do better. On the morning of August 6, 1926, Ederle, covered in lanolin, petroleum jelly and lard to keep her warm while in the water and wearing enormous wrap around glasses, took to the water at Cape Gris-Nez, France. The waters were rough that day, and twice her coach T.W. Burgess – the second man to successfully swam across the Channel – urged her to come out of the water. Ederle’s father and sister who were in the boat with Burgess insisted that she stay her course; her father had promised Ederle a roadster is she made her goal.

Committed to finishing, Ederle pushed through stormy waters, tides and swells, reaching shore after 14 hours and 31 minutes, a time that gave her the title of the first woman to swim across the English Channel, but also the world’s fastest person to do so. The accomplishment earned her the title of ”America’s best girl” by President Calvin Coolidge, and inspired tens of thousands of American women to take up swimming.

By the 1930s, her fame had evaporated. A hearing problem that she had when younger, and made worse by her Channel crossing, eventually caught up with her, and a nasty fall in her apartment led to a back injury. Doctors said she would never walk or swim again, but Ederle prevailed and appeared in a water show at the New York World’s Fair in 1939. Conscious of her own hearing impairment, she went on to teach swimming at a deaf school in New York. Eventually Ederle was inducted into the International Swimming Hall of Fame in 1965 and the Women’s Sports Hall of Fame in 1980, a little over 50 years after her amazing accomplishment.

Gertrude Eberle is one of three women from the Women’s Wisdom Project series to be featured in the AGE issue of Taproot Magazine. I am honored to have contributed to this issue, and encourage you to check out this great publication that’s indepedent and ad-free. You can order a copy of the AGE issue here.

This papercut and profile are a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

October 2, 2018 at 09:50

Vote

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It’s National Voter Registration Day, so make sure you and all your friends are registered.

I just had these Vote buttons made, featuring my original papercut “Stars, Stripes and Uterus.” I made the papercut in 2016, but it still feels timely. Because women’s rights are human rights, and this button is perfect for election season (but wearable during any season, of course). You can order yours here.

Want the same artwork on a coffee mug? I’ve got that too. Order here.

Written by Anna Brones

September 25, 2018 at 13:54