anna brones

writer + artist + producer

Posts Tagged ‘women artists

Five Lessons on Art and Creativity from Women Artists

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“Habits gradually change the face of one’s life as time changes one’s physical face; & one does not know it.”

-Virginia Woolf, diary entry, April 13, 1929

This Virginia Woolf quote is printed in the first pages of Mason Currey‘s book Daily Rituals: Women at Workan exploration of how creative minds get to work.

The book is a follow up to Currey’s first book Daily Rituals: How Artists Work, and is a concerted effort to focus on women artists and in the process, as well as offer up some sense of guidance to readers who might be struggling with their own creative practice. Sometimes, in order to do the work, it’s helpful to know how the people who came before you did theirs.

There are 143 different women in the book, from writers to fashion designers to choreographers. Women artists have—as many women artists still do—experience a particular set of battles when it comes to expressing their creativity. This shines through in the book, and encourages an even greater sense of respect for the creative work that these women were able to produce.

“Most grew up in societies that ignored or rejected women’s creative work, and many had parents or spouses who vigorously opposed their attempts to prioritize self-expression over the traditional roles of wife, mother, and homemaker,” writes Currey. “A number of them had children and faced excruciating choices in balancing the needs of their dependents with their own ambitions. Virtually all of the, confronted sexism among their audiences and among the gatekeepers to professional success—the editors, publishers, curators, critics, patrons, and other tastemakers who, over and over, just happened to find men’s work superior. And this does not even take into account the woman artist’s internal obstacles, the various species of anger, guilt, and resentment that come with forcing the world to make space for you and your achievements.”

I like both of Currey’s books because they get to the heart of what is essential to the person’s creative practice. But as a woman, Daily Rituals: Women at Work particularly resonates, and every time I pick it up I feel like I get something new from it. In fact, it is the kind of book that you can turn into its own daily ritual, reading one entry with your morning cup of coffee.

Inspired by the book, I asked Currey if I could create a few papercuts based off of some of the women he had profiled. He chose the women, and I in turn worked to figure out the main “lesson” that Currey had documented, and that the rest of us could take to heart. These “lessons” are by no means the one takeaway from these women, but I think that they are lessons that can resonate for all of us.

Commit to your craft

Creativity requires work, and no one understood this better than Coco Chanel. Born into poverty, she ended up building an iconic fashion empire, the result of an incredible commitment to her craft.

Welcome dissatisfaction

When we are satisfied with our work, there is nothing to push us forward, something that choreographer Martha Graham knew well. Despite a lifetime of achievements and recognition, Graham was driven by what Currey calls a “chronic dissatisfaction.” We want to be able to revel in our work, to enjoy the process. But a little dissatisfaction will always help to challenge us to continue to evolve in our creative practice.

 

Prepare intensely

Even when creative work flows, when we hit that stride that’s somewhere between magical and mystical, it is on the back of countless hours of preparation. If we don’t lay the ground work, we can’t let go and let serendipity take over. Nina Simone spent countless hours not just practicing, but understanding the spaces where she played. She would spend the afternoon before a show in a music hall, to get an understanding of where people would sit, how close to the stage they would be, what the lighting would be like, where the microphones would be placed. Simone took in every single detail, so that “by the time I got on stage I knew exactly what I was doing.”

 

Be relentlessly curious

As Currey writes in his book, Susan Sontag “succeeded, in large degree, thanks to her seemingly boundless energy.” That energy led to the consumption of books, film, conversations—essentially an insatiable curiosity of everything that was around her. That curiosity helped to shape her world, and her broad amount of references. If we stay curious, we can do nothing but keep learning.

Use art as relief

Art helps us to process, to heal, and who better to exemplify this than Yayoi Kusama. She checked herself into the Tokyo mental hospital in 1977 and she still lives there today, continually creating art as a way to fight her pain, anxiety, and fear. As she calls it, “art medicine.” A reminder that no matter where we are in our lives, we can all tap into this restorative element of art making.

Want to win a copy of Daily Rituals: Women at Work?

In honor of Women’s History Month, I am giving away a couple of copies away. To enter to win, sign up for my newsletter. I’ll be pulling two names at random and announcing them in my next monthly installment of Creative Fuel.

Written by Anna Brones

March 31, 2020 at 09:35

Georgia O’Keeffe

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“You get whatever accomplishment you are willing to declare.”

Georgia O’Keeffe (1887 – 1986)

This papercut is a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

September 13, 2019 at 07:00

Frida Kahlo

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“At the end of the day, we can endure much more than we think we can.”

-Frida Kahlo (1907-1954)

This papercut is a part of the Women’s Wisdom Project, a project focused on showcasing the wisdom of inspiring, insightful women by making 100 papercut portraits.

Written by Anna Brones

July 6, 2019 at 14:55

In the Footsteps of Creative Women

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I’ve always been drawn to the Southwest. Perhaps it’s because there are so many stark contrasts to my native Pacific Northwest. Lush, wet greens replaced by dusty pinks, light and dryness instead of wet grays. The reasons that I love the landscapes of the Pacific Northwest are also what drive me to seek out places elsewhere, not because I am trying to replace them, but because I am so inspired by the differences to be found elsewhere.

The colors of the sky, intense and dusty all at the same time. The smell of sage brought out by the heat of the sun. That feeling of the desert resonates with me, even though I’ve never lived there, and perhaps never will.

I am not the only one to have drawn inspiration from that landscape.

“I found out that the sunshine in New Mexico could do almost anything with one: make one well if one felt ill, or change a dark mood and lighten it. It entered into one’s deepest places and melted the thick, slow densities. It made one feel good. That is, alive.”

That’s a quote from Mabel Dodge Luhan, a woman with a colorful history who in the early 1900s made her way to Taos, New Mexico. She fell in love with Antonio Luhan, a Taos Pueblo Indian, and eventually they bought a plot of land and built a house on it. It started as a four-room adobe, but expanded to seventeen rooms, the Luhans wanting to create a space that was inviting to those with a creative spirit.

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Written by Anna Brones

February 19, 2018 at 07:32